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FXphd - NUK214: Nuke and the VFX Pipelineel.FXphd – NUK214 – Nuke and the VFX Pipeline.Shot0110 is finalized with the blending of CG elements with the live action plate by using filters and effects.Ĭoverage of additional interesting shots from the film and the challenges the composites provided. Shot0110 continues with the removal of talent by using rotopaint. Well look at painting out talent from the light shimmer plate as well as creating clean plate by using projection. We dive into Shot0110, which has its own sets of challenges. Also includes a look at CG interaction with live action.Ĭontinuation of Shot0130, including beginning to blend everything together by using filters and color. The tasks for Shot0130 include compositing muzzle flashes, smoke, dust, and bullet hits. Shot0180 shows techniques to blend the matte painting with the background and foreground live action as well as CG element compositing. The shot uses Nukes 3D system to extend the skyline as well as integrating CG robots and shadows on the plate. The next shot (Shot0190) is started with an overview of the tasks. Work on Shot0230 continues with replacing plate assets, integrating a muzzle flash, assembling CG passes and compositing them in the live action shot. Compositing begins with the first shot (Shot0230), which comes with clean up and compositing challenges. The course begins by ingesting the plate footage inside Nuke Studio and setting up the compositing pipeline, including shot/folder management and establishing naming conventions.
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The scenes also provide an opportunity to demonstrate how to set up matte painting and clean plate projection techniques utilizing Nukes 3D system.įor premium members, this course contains over 20GB of high resolution source files from the scenes demonstrated in the course.Ībhimanyu Tanwar is a digital compositor and has worked on films such as Edge of Tomorrow, World War Z and other short films. Some of the prep work for compositing comes with tricky issues such tracking and color mismatch, so Tanwar shows tips one how to make it easier. He then dives into creating clean plates and CGI integration into those scenes. The course starts with ingesting media inside Nuke Studio and building a compositing workflow. In this project-based course, Abhimanyu Tanwar works through the compositing aspects of several shots he completed for the short film RISE. He is also an owner and founder of the One Man Studio Production.FXPHD - NUK243 Nuke and the VFX of RISE | 25.5 GB Mihran is the winner of the Flame Award in 2017. Mihran Stepanyan is a visual effect supervisor, filmmaker, digital artist with more than 17 years of experience in film and media industry and seven years of Flame using experience. You will also see how to work with native Red RAW file and, how to use the Neat Video denoiser and get a perfect result. The course includes an important and useful class on keying of highly compressed media files, such as 4:2:0 chroma sampled video and how to get rid of artifact blocks and preserve detail like hair in this type of media. One of the important things covered is creating a clean plate as well image-based keying concepts and their usage in high-end keying. In these courses you’ll learn about light, color, and channel separation - the basics of traditional film keying - and then you will be shown how to practically apply this information and more via techniques in the digital world. This, the first part of a course taught by 2017 Flame Award winner Mihran Stepanyan, is devoted to a very important theme: high-end chroma keying in features and commercials.
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FXPHD – FLM217 High End Chroma Keying in Flame Part 1 Free DownloadįXPHD – FLM217 – High End Chroma Keying in Flame, Part 1